Gear
What I Actually Ride With
What I ride with, film with, and edit on. No sponsored picks — just the kit that survives the road.
Riding Gear
Jacket
All-season armored shell
The piece I reach for nine months out of twelve. Liner in, liner out, tested in everything from October fog to August asphalt.
Helmet
Modular touring lid
Comms-ready, quiet at highway speed, comfortable on five-hour days. The flip is the deal-maker for fuel stops.
Gloves
Two pairs, every trip
Vented summer pair and an insulated waterproof pair. Carry both unless the forecast is bulletproof.
Boots
Mid-cut riding boots
Walkable enough for a gas station, real protection at speed. The non-negotiable.
Camera & Audio
Action Cam
Helmet + chest mount
The angles that put viewers on the bike. Stabilization, low-light, and a battery setup that survives full-day shoots.
Mirrorless
B-roll & talking-head
For pieces where the production value matters. Cinematic when the shot calls for it.
Wireless Mic
In-helmet audio
Clean, real-time narration over the engine. The single biggest production upgrade for ride content.
Tripod & Gimbal
Stable on any terrain
For roll-up shots and pre-ride sequences that have to look intentional.
The Edit Desk
Software
DaVinci Resolve Studio
The whole pipeline lives here — cut, color, sound, delivery. The tutorials on this site walk through how I use it.
Storage
Fast SSD + offsite backup
A trip’s worth of footage is irreplaceable. Two copies, two locations, every time.
Affiliate links coming soon. When they go live, they’ll be marked clearly — and they’ll only show up next to gear I’d recommend without the link.